Houdini king of cards poster8/30/2023 ![]() ![]() This did not stop Houdini from trying everything he could to make a name for himself. Houdini’s problem was that he wasn’t a great magician, or even a good one – while he possessed the technical knowledge of how to perform the methods to the tricks, he lacked the finesse to make them work in front of an audience. ![]() The first was Harry Houdini (1874-1926), who had made his name as an escape artist, but wanted above all other things to be recognized as a great magician. On one side was the man who had spent his entire career attempting to become the most famous magician in history, and on the other was the man destined to become the most important. Perhaps the best example of this lies in one of the most famous confrontations in the history of magic. As a result, the things that would most impress a magician might not even register with lay audiences, while effects that would barely impress a magician can leave a lay person’s jaw on the floor. For a successful trick in front of a lay audience, however, what matters most is the effect, along with its proper framing through patter. Magicians generally know how the trick is created – their attention shifts to the intricacies of the method. Put simply, once initiated in the art of magic, one begins to look at tricks in a new way. Image Source: Houdini doing card flourishesĪnd this brings me to one of the remarkable things about Fool Us – it manages to bridge the gap between performing for lay audiences and magicians. It didn’t fool Penn and Teller, but it was a blast to watch, and the guinea pig stole the show in the best way possible. The production of an animal during a variant of the cups and balls also harkens back to the Gali-Gali men of Egypt, who perform the trick with live chicks (). It wasn’t sublime, but it was pitch-perfect comedy magic, which is actually really hard to do. Mac King: I think this one has to be the best performance of the night. She put on a great show all the same, even if she didn’t fool Penn and Teller, and her schtick with Teller was incredibly entertaining. ![]() The number revelation is so spectacular that it overshadows the picture revelation, almost turning it into an anti-climax. If I have one criticism of her performance, it’s that she probably did the revelations in the wrong order. It uses a very well done redemption and escalation plot – when Allison first reveals the number prediction, it looks like she’s failed, but then she reveals that not only has she succeeded, she’s done so in an even more impossible manner. The Amazing Allison: This was a wonderful mentalism act with a lot of “va-voom,” as Misty Lee would say. ![]()
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